![]() ![]() ![]() In the past decade, rock's dapper Renaissance man has staged ambitious collaborative tours with Brian Eno and St. Byrne, sixty-six, is enjoying a similar late boom but unlike Cohen, he didn't need to have his life savings demolished by a crooked business manager to get there. In promoter-speak, "a Leonard Cohen moment" refers to the point in 2008 when the seventy-three-year-old singer returned to live performance after a fifteen-year absence and enjoyed the biggest audiences of his life. ![]() I thought, 'Good, that will give me the budget to realise this show that I'm imagining.'" It means you have a sudden audience growth spurt. "That doesn't mean I'm writing songs like Leonard Cohen," Byrne says jovially, backstage at the Philharmonic in Paris. ![]() Last year, David Byrne's concert booking agent informed him that he was having a Leonard Cohen moment. Dorian Lynskey joins the tour in Paris and talks to the former Talking Heads singer about its genesis and purpose. It has been described as "the best live show of all time", but that might undersell it. Get American Utopia tickets on New York Theatre Guide.Turn on javascript to use the drop-down menus.ĭavid Byrne's astonishing American Utopia stage show completely reinvents the pop concert. In a happy and hummable final thought, this Broadway trip concludes with "Road to Nowhere." Byrne and company offer a journey that's not to be missed.Īmerican Utopia is playing the St. Moulin Rouge! The Musical Tony winner Alex Timbers, who knows his way around moving parts and kinetic spectacle, is a production consultant. The choreography and musical staging are by Annie-B Parson. Perhaps they "somehow get kind of reestablished, only now instead of being in our heads," he says, "they're between us and other people."īyrne's essential onstage connections are 11 other ace performers who handle vocals, drums, strings, keyboard and movement so polished, tight and precise it could make a marching band or a rhythmic gymnastics squad each swoon. Where do those connections go? He eventually reveals his theory, if not his hope. Early on Byrne strikes a Hamlet-y pose, holding a prop brain and pondering why babies "have hundreds of millions more neural connections than we do as adults." Grey matter figures into the show's loose narrative, too. Countless grey-silver dangling chains create walls on three sides of the stage. The stage is naked, just like the feet of the shoeless cast uniformly dressed in grey suits. The fact that the show is visually thrilling is all the more remarkable considering its stripped-back, monochromatic production design. You can feel the insistent throbbing drumbeats in a way that only emanates from a live performance. Of course, you expect a concert staging to be an earful. The soundscape is gorgeous, lyrics landing with bell-like clarity - even "I Zimbra"'s "bim blassa galassasa zimbrabim," drawn from a nonsense poem. Listen up for "Every Day Is a Miracle," "Slippery People," "Once in a Lifetime," and "Burning Down the House." A rendition of Janelle Monae's protest song "Hell You Talmbout," along with brief allusions to local elections, lends a bit of political heft. Unspooling over 100 unbroken minutes the set list covers new and old songs and fan favorites and lesser-known music from Byrne's career. "We don't have any cable or wires attached to us in these shows, attaching to gear or equipment or any of those kinds of things," Byrne says. Unrestricted movement, or the opposite of lockdown, underpins this theatrical experience. After all, masked theatergoers leaving home still grapple with an ongoing global health crisis that plunged them into lockdown. The bit got giggles before, and still sparks laughs, but for different reasons. Thank you for leaving your homes," he says. Byrne acknowledges that the script, though the same as before, may land a bit differently now than in the pre-pandemic "old world." Case in point: his exuberant welcome to the audience in the opening moments. American Utopia, based on the former Talking Head frontman's 2018 album and tour of the same name, remains essentially unchanged.īut, as it's said, it's all in the timing. Two years down the road, the world has changed in dramatic ways. There's also a filmed live-capture performance directed by Spike Lee, who was in the audience (doing research, perhaps?) when I sat rapt at the production for the first time in October 2019. The show returns with triumphant signs of its success, including a shiny special Tony Award for its four-month sold-out run that wrapped in February 2020. Pricking up your ears - and your peepers - in a state of streaming delight goes with the territory at American Utopia, David Byrne's dazzling concert production back on Broadway for an encore joy jolt. ![]()
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